Described as ‘an excellent fresh new voice to the opera world’ (operascene.co.uk), with an ‘impressive range of vocal colours’ (The Guardian), and a ‘glorious rich tone, soaring high notes and engaging manner’ (lightmusicsociety.com), Natasha Page is a graduate of the Royal College of Music International Opera Studio, where she studied with Rosa Mannion. She was awarded First Prize at the Maureen Lehane Vocal Awards at Wigmore Hall. Natasha is a Samling Artist and an Oxford Lieder Emerging Artist. Natasha’s operatic roles include Adina The Elixir of Love (English Touring Opera), Pamina Die Zauberflöte (Wild Arts), Megacle L'Olimpiade (Vache Baroque Festival), the title role in Rita (IfOpera), Fiordiligi Cosi fan Tutte (Celebrate Voice Festival), covering Ismene Mitridate, Despina Cosi fan Tutte and Adele Le Comte Ory (Garsington Opera), covering Semele Semele (Opera de Lille), and covering Soprano Medusa (Royal Ballet & Opera). Natasha’s concert work includes Handel’s Messiah (Chichester Cathedral, Southwell Cathedral), Mozart’s Requiem (Cadogan Hall, St John’s Smith Square, St Martin-in-the- Fields), Mozart’s Mass in C Minor (Harrow School, Cadogan Hall), Brahms’ Requiem (Chichester Cathedral, St Martin-in-the-Fields), Mendelssohn’s Elijah (Christchurch Priory), Haydn's Nelson Mass (St Martin-in-the- Fields), Bach’s Coffee Cantata (Amersham Festival of Music), Bach’s Magnificat (Guildford Cathedral) and Bach’s Jauchzet Gott in Allen Landen (Hertfordshire Festival of Music). An acclaimed interpreter of song, Natasha frequently performs alongside pianist Ella O’Neill, most recently at the Wigmore Hall/Bollinger Song Competition, Hertford Music Club and Oxford Lieder Festival, amongst others.