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SWAP'ra presents

The Rebecca Clarke Song Competition

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Celebrating 150 years of British women composers in song

APPLICATIONS ARE NOW CLOSED.

Join us for the live semi-final and final rounds at Royal Overseas League House in London in January 2026

What is the Rebecca Clarke Song Competition? 

A brand-new national competition for classical singers and pianists, shining a spotlight on British women composers of the past 150 years and the extraordinary art songs that deserve their place in today’s canon.

We are so grateful to our competition supporters, including:

The Golsoncott Foundation | The Stanford Society | The Winship Foundation | Christopher Johnson | The Finzi Trust | Kind supporters donating in memory of Humphrey Morison | Private sponsors who wish to remain anonymous

tickets
The Competition
​Applications for the 2026 Rebecca Clarke Song Competition closed on 28 November 2025.

 

Thank you to everyone who submitted recordings and programmes. We are now preparing for the live performance rounds, where our shortlisted singer-pianist duos will compete in London next January.

 

Join us for the Semi-Final (Public performance at ROSL, 19 Jan 2026) and Final (Public performance at ROSL, 24 Jan 2026 7pm) to experience the competition live and help support these artists.

19 January, 2026

24 January, 2026

discount available for attending both via this link

Why Attend the Live Rounds?

The semi-finals and final are a rare chance to explore the powerful legacy of Rebecca Clarke, alongside repertoire by underperformed and living British women composers. Each duo performs a carefully curated programme chosen from our repertoire list, offering a unique opportunity to hear Clarke’s works within a broader landscape of voices from the past century and a half.

By attending the live rounds, you directly support SWAP’ra’s mission to promote equity and visibility for women in classical music.

 

Your presence helps to:

  • fund the running costs of the competition

  • support singer-pianist duos at a crucial career stage

  • encourage performance and publication of overlooked repertoire

  • inspire future research and programming of music by women
     

This is not only a competition, but also a space for discovery, celebration, and advocacy. Audience members play an important role in giving this repertoire and these artists the platform and recognition they deserve. We invite you to broaden your musical horizons and be part of this significant moment for British song.

Live Round Details

 

Venue​​: Royal Over-Seas League, London

 

Semi-Final:​​ 19 January 2026, Time TBA

 

Final:​​ 24 January 2026, 7-10pm

Prizes​​​:
  • First vocal prize -  £5000

  • First Pianist prize - £5000

  • Second vocal prize - £1000

  • Second prize for pianists - £1000

  • Prize for the best performance of a song by a living British composer - £1000 (awarded to the duo)
     

Performances at London Song Festival and the chamber series at Royal Liverpool Philharmonic Orchestra will be offered to the winners. ​All finalists will receive professional videos of their performances

Donors:

The Golsoncott Foundation | The Stanford Society | The Winship Foundation | Christopher Johnson | The Finzi Trust | Kind supporters donating in memory of Humphrey Morison | Private sponsors who wish to remain anonymous

Panel: 

Kitty Whately - mezzo soprano and co-for under of SWAP’ra 

Anna Tilbrook - pianist

Nigel Foster - pianist and artistic director of London Song Festival

Sophie Dand - artist manager

Julien Van Mellaerts - baritone and curator of Opera In Song series at Opera Holland Park

Information for Competitors

Set List
Living Composers

Eligibility
 

  • Open to professional singer and pianist duos based full time in the UK/Republic of Ireland. 

  • All voice types

  • No upper age limit

  • Both singer and pianist must both be available for both the live rounds (January 19th and 24th) 

  • Entries cost £17 per person non-refundable administration fee. Pianists who do not wish to be considered for the prizes are exempt. Pianists who do wish to compete need only pay one entry fee, even if they are playing for more than one singer (Pianists - please submit one form for each duo you are entering with, and only select 'yes' to paid entry for one of your submissions.  

Terms and Conditions

  • Please note that applications submitted after November 28th or submitted without recordings/programme/application fee will not be considered.

  • The jury's decision at any stage of the competition is final, not open to discussion or correspondence and not subject to legal appeal.

  • The entry fee is non-refundable.

Repertoire

 

Art songs in English by British/Irish women composers of the past 150 years**, including songs chosen from the set list 

First Round (Recording):

  • Two art songs in English by women composers submitted on video or audio recording by November 28th latest (please provide URLs for these - YouTube, Vimeo, Soundcloud etc) These can be by any woman Composer, including non-British composers, as long as it is written in English. This does NOT have to include songs by Rebecca Clarke.

  • Videos are preferred but if it is impossible to provide videos then audio-only will be accepted. 

  • These do not need to be professionally made but please make sure the sound quality is clear enough to represent you well.

 

Semi-Final (Public performance at ROSL, 19 Jan 2026): 

  • 10-12 minutes of English song by British/Irish women composers of the past 150 years** (see guide list)

  • Including at least two songs by Rebecca Clarke from the set list 

  • Including at least one song by a living British/Irish woman composer (see guide list)

  • Repertoire from the recorded submissions round may be repeated. 

 

Final (Public performance at ROSL, 24 Jan 2026 7pm): 

  • 17-20 minute programme of English Song repertoire by British/Irish women composers of the past 150 years** (see guide list)

  • Including at least three songs by Rebecca Clarke from the set list 

  • Including at least one song by a living British/Irish woman composer (see guide list)

  • A maximum of two songs may be repeated from either of the previous rounds (excluding the song by a living woman, which may be repeated multiple times)

 

Please note: The song The Seal Man is not eligible for the competition* - See note on repertoire set list

** songs written in the past 150 years. Composers can be born before 1875 but songs must have been written post 1875 where it is possible to find dates of publication/writing.

All competitors must include repertoire from the set list as detailed below. 


 

Set Repertoire: 

 

Please note you are welcome to make transpositions where needed. All transposed copies should be used only for performance and reference copies for the adjudicators. No sales of these copies should be made without formal permission from the rights holder. 

 

You will need to present 2 songs from the list below in the semi-final round, and 3 from this list in the final round.

Click here for full repertoire requirements

Title
Tessitura
Duration
A Dream
D4 - G5
2:15
One That is Ever Kind ('The Folly of Being Comforted')
E4 - A5
3:00
The Cherry Blossom Wand
C#4 - F#5
3:15
God Made a Tree
C4 - F5
2:25
Weep You no More Sad Fountains
C4 - G5
2:10
Cradle Song
E4 - G5
2:50
Eight O’Clock
D#4 - G5
2:25
Come, oh come, my life’s delight
E4 - F#5
1:40
Salley Gardens
D4 - E5
1:50
Shy One
C4 - A5
1:30
The Cloths of Heaven
C4 - F5
2:10
June Twilight
C4 - F#5
2:40
Oh Dreaming World
C4 - F5
3:00
Up Hill
C4 - E5
4:00
Tiger, Tiger
C4 - F5
4:20
Return of Spring
B3 - F#5
2:00
Greeting
C4 - A5
1:30

*NB The Seal Man is not eligible for inclusion in competition programmes

Our decision to exclude The Seal Man from the competition is because we feel that while it is a masterpiece, and Clarke’s most famous and celebrated song, it is now frequently programmed in recitals and competitions, and we want this competition to shine a light on the breadth of Clarke’s work and that of other women composers. By setting this restriction, we hope to give both artists and audiences the opportunity to encounter new and lesser-known repertoire, fulfilling the spirit of the competition. 

Living Composer Suggestions

You will be required to include at least one song by a living British female composer. Here is a list of a few names you may wish to look at, and their details. You may include any other you wish, this is not a set list, just some ideas. 

 

See list of collected information about repertoire and sourcing for Living Composers

 

Historical composer suggestions 

Other historical women composers you might like to look at are listed below.  Many can be found on the SWAP’ra Forgotten Voices area of the Oxford International Song Festival website 

 

You may include any other you wish, this is not a set list, just some ideas. You may also include songs by Rebecca Clarke which are not on the set list. 

Where to get scores?

  • IMSLP: 

Several of the Rebecca Clarke songs from the set list are available to download for free from the website IMSLP

  • Music Libraries:

Many music libraries have been contacted by SWAP’ra to advise them of the possible upcoming surge in interest in Clarke’s music and will hopefully have scores ready for you. This includes all the UK music conservatoire libraries. 

 

OUP have generously offered us a discount code on all the Rebecca Clarke songs in their catalogue. Using the code AMUEXB20 at check out will give you 20% off. 

  • New publications

ClarNan Editions have just published five volumes of Clarke’s vocal music—most of it for the first time—comprising the songs that she wrote as an uninstructed amateur, her first experiments as a fledgling professional, (and her fabulous duets,)Pre-order here for U.S. shipping, or here for global shipping. 

  • Presto Music -  Presto Music are happy to offer a 10% discount code to all applicants with the code RCLARKE10 . This code will be valid on their website until 28th February 2026. 

 

Historical Composers
seal man

Support the Competition

 

If you are unable to attend the live rounds, please consider supporting the competition through a donation. Contributions help sustain the costs of running the event and further SWAP’ra’s mission to elevate women in classical music.

 

Donate to SWAP’ra using the button below

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