
WOMEN COMPOSERS IN SONG
PRESENTED IN ASSOCIATION WITH SWAP'RA
This year Oxford Lieder’s Spring Weekend focused on women composers, the countless gifted figures who vanished from our recital stages. OLF’s artistic director Sholto Kynoch invited SWAP’ra to co-curate events for last spring, and going forward as a long-term project to unearth and to give voice to some of these unjustly forgotten composers. In the long term, SWAP’ra will collaborate with Oxford Lieder Festival to create an invaluable online resource for artists and programmers looking to expand their repertoire of women composer’s artsongs. This will include song-focused biographies, links to scores, recordings, texts and translations, programming suggestions, and more.
In the shorter term, we have been busy researching composers and gathering rep, and we look forward to programming a great deal of this work for events at Oxford Lieder this spring and beyond.
All three of the main evening recitals kicked off with a mini-recital slot performed by some of the outstanding young artists who contributed to our inaugural SWAP’ra Forgotten Voices online festival in 2021, presented in association with HERA. These artists presented music by Hedwige Chrétien, Margarete Schweikert, Margaret Bonds, Elizabeth Maconchy, Johanna Müller-Hermann, Betty Jackson-King, Rebecca Clarke, Elaine Hugh-Jones, and many more.
During the daytime recitals, their music was performed live by artists who are established Oxford Lieder regulars and favourites. Over the course of four lecture-recitals, led by the ever-brilliant Natasha Loges, who has been a vital member of the SWAP’ra team researching and curating this project, we celebrated and explored songs by four composers: Hedwige Chrétien, Margarete Schweikert, Elizabeth Maconchy and Johanna Müller-Hermann, showing how their music both fitted into and challenged expectations of song composition in their day.
lecture recitals





1. MARGARETE SCHWEIKERT
Natasha Loges, Kate Kennedy speakers
Kitty Whately mezzo-soprano
Keval Shah piano
Margarete Schweikert (1887-1957) began composing as a child and her works, including songs, had their first major outing at a concert when she was just 17. She wrote at least 160 songs, setting a wide range of poets. This lecture recital features songs by Schweikert and by Hugo Wolf.





2. ELIZABETH MACONCHY
Natasha Loges, Kate Kennedy speakers
James Gilchrist tenor
Keval Shah piano
Denied a scholarship from the Royal College of Music for being a woman who ‘will only get married and never write another note’, Elizabeth Maconchy (1907-1994) defied gender prejudice and became one of the most substantial and respected composers of her time, with a large and important body of songs. This lecture recital features songs by Maconchy and by Benjamin Britten.





3. HEDWIGE CHRÉTIEN
Natasha Loges, Leah Broad speakers
Sophie Bevan soprano
Anna Tilbrook piano
Hedwige Chrétien (1859-1944) was a highly regarded French composer, and Professor at the Paris Conservatoire, who wrote an impressive body of songs. This lecture recital includes songs by Chrétien and by Hector Berlioz.





4. JOHANNA MÜLLER-HERMANN
Natasha Loges, Kate Kennedy speakers
James Atkinson baritone
Anna Tilbrook piano
Johanna Müller-Hermann (1878-1941) was an Austrian composer, who studied with Zemlinsky and was later theory and composition tutor at the New Vienna Conservatory. She was extremely successful in the first decades of the 20th century, and her songs in particular are now enjoying an overdue revival. This lecture recital features songs by Müller-Hermann and by Richard Strauss.
with thanks
We are hugely grateful to the following for their financial support towards the research, development and delivery of this project:
The Golsoncott Foundation
The Ralph Vaughan Williams Trust
The Royal Musical Association
The Wavendon Foundation
The Winship Foundation